• This perfectly round drawing/painting sits flat on the wall and the viewer is invited to move in close to examine the fine perspective line drawing and shading, or step back to view the painting as if a spy-hole into another world, time or space.
  • This perfectly round drawing/painting sits flat on the wall and the viewer is invited to move in close to examine the fine perspective line drawing and shading, or step back to view the painting as if a spy-hole into another world, time or space.
  • This perfectly round drawing/painting sits flat on the wall and the viewer is invited to move in close to examine the fine perspective line drawing and shading, or step back to view the painting as if a spy-hole into another world, time or space.
  • This triangle-shaped drawing/painting sits flat on the wall and the viewer is invited to move in close to examine the fine perspective line drawing and shading, or step back to view the painting as if a key-hole into another world, time or space.

  • This perfectly round drawing/painting sits flat on the wall and the viewer is invited to move in close to examine the fine perspective line drawing and shading, or step back to view the painting as if a spy-hole into another world, time or space.
  • This triangle-shaped drawing/painting sits flat on the wall and the viewer is invited to move in close to examine the fine perspective line drawing and shading, or step back to view the painting as if a key-hole into another world, time or space.
  • This perfectly round drawing/painting sits flat on the wall and the viewer is invited to move in close to examine the fine perspective line drawing and shading, or step back to view the painting as if a spy-hole into another world, time or space.
  • This perfectly round drawing/painting sits flat on the wall and the viewer is invited to move in close to examine the fine perspective line drawing and shading, or step back to view the painting as if a spy-hole into another world, time or space.
  • This diamond-shaped drawing/painting sits flat on the wall and the viewer is invited to move in close to examine the fine perspective line drawing and shading, or step back to view the painting as if a key-hole into another world, time or space.

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