• The sleek, even coloured surfaces are painted delicately so that they are free of gestural brush strokes, and fields of saturated clean-edged colour appear to float on the surface of the wall.  A rear wall fitting is attached so that the sculpture floats just off the wall and creates a slight underlying shadow.  This is a group of 4 larger works (each 50 x 50 cm).

  • The sleek, even, coloured surfaces are painted delicately so that they are free of gestural brush strokes, and fields of saturated clean-edged colour appear to float on the surface of the wall.  A rear wall fitting is attached so that the sculpture floats just off the wall and creates a slight underlying shadow.
  • The sleek, even coloured surfaces are painted delicately so that they are free of gestural brush strokes, and fields of saturated clean-edged colour appear to float on the surface of the wall.  A rear wall fitting is attached so that the sculpture floats just off the wall and creates a slight underlying shadow.  This is a group of 4 larger works (each 50 x 50 cm).

  • This work has an even greater three-dimensional presence on the wall than Laura's Cut Out and Fold series.  The sleek, even coloured surfaces are painted delicately so that they are free of gestural brush strokes, and fields of saturated clean-edged colour appear to float on the surface of the wall.  A rear wall fitting is attached so that the sculpture can float just off the wall and create a slight underlying shadow.
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