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Silvia tends to create in series, often in response to her current environment, like a visual diary of circumstances. This artwork is part of the series 'Copper Skin', which again is a semi-autobiographical series. Silvia's investigation into the oxidation process of copper has captured her imagination, suggesting to her the poetic and metaphoric revival of the Phoenix. The unique green epidermis that envelopes the metal suggests transformative and protective beauty. This painting is framed. -
This work stems from Silvia’s interest in the relationships between shapes, volumes, colours and textures and their resulting presence. She tends to create in series, often in response to her current environment, like a visual diary of circumstances. This sculpture is self-supporting and can be viewed from many angles, ideally on a table or plinth.
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These large sculptural paintings in various tones of Silver, Copper, Graphite and Gold are from a series that considers the interplay between layers of colour, painstakingly applied with a tiny brush. Each of the paintings are unique in colour and stem from Silvia’s interest in the relationships between shapes, volumes, colours and textures and their resulting presence. She tends to create in series, often in response to her current environment, like a visual diary of circumstances, and inspiration for this series has come from working in an industrial, engineering unit.
