This work is one of Alix Marie's earlier photographs where she was starting to include her own body. Perhaps also a nod to Picasso and his owl, Marie peers through the eyes of the owl photograph, which she holds up in her hands. Her continuing work practise often refers to gender and identity in the contemporary context and here is an early work which may hint at the work to come. This very high quality C-type photograph is mounted onto Diabond, with a rear supporting frame. It is number 2 in an edition of only 3.
