• This very large painting is a triptych of three canvases, aligned to form one complete painting, making handling and shipping easy.  This work stems from Silvia's interest in the relationships between shapes, volumes, colours and textures and their resulting presence. Inspiration may come from found objects and remnants of objects that carry stories, or from fissures or folds in materials. She tends to create in series, often in response to her current environment, like a visual diary of circumstances. The large canvases come from an earlier period in her career in Valencia, Spain and are now available for sale in London.
  • This large painting is a diptych of two canvases, aligned to form one complete painting, making handling and shipping easy.  This work stems from Silvia's interest in the relationships between shapes, volumes, colours and textures and their resulting presence. Inspiration may come from found objects and remnants of objects that carry stories, or from fissures or folds in materials. She tends to create in series, often in response to her current environment, like a visual diary of circumstances. The large canvases come from an earlier period in her career in Valencia, Spain and are now available for sale in London.
  • Copper Skin III

    £12,000.00
    This work stems from Silvia's interest in the relationships between shapes, volumes, colours and textures and their resulting presence. Inspiration may come from found objects and remnants of objects that carry stories, or from fissures, folds in materials or layers. She tends to create in series, often in response to her current environment, like a visual diary of circumstances. This large canvas is from her current series of paintings that concern themselves with the transformation of surface layers in response to chemical changes.  The underlying brightness of the copper is revealed around the edges and down the centreline of the painting, but also appears in patches, through thin areas of the surface.  The canvas can be deconstructed into two parts for shipping.
  • This sculptural painting stems from Silvia's interest in the relationships between shapes, volumes, colours and textures and their resulting presence. She tends to create in series, often in response to her current environment, like a visual diary of circumstances, and inspiration for this series has come from Silvia's interest in fissures and folds.
  • This work stems from Silvia's interest in the relationships between shapes, volumes, colours and textures and their resulting presence. Inspiration may come from found objects and remnants of objects that carry stories, or from fissures or folds in materials. She tends to create in series, often in response to her current environment, like a visual diary of circumstances. The large canvases come from an earlier period in her career in Valencia, Spain and are now available for sale.

  • These editioned collagraphs on paper stem from Silvia's interest in the relationships between shapes, volumes, colours and textures and their resulting presence. Inspiration may come from found objects and remnants of objects that carry stories, or from fissures or folds in materials. She tends to create in series, often in response to her current environment, like a visual diary of circumstances. The works on paper come from an earlier period in her career in Valencia, Spain and are now available for sale, unframed.
  • Sold

    Silvia tends to create in series, often in response to her current environment, like a visual diary of circumstances, and inspiration for this series has come from the flowers in an English country garden. This painting is in two sections, which fix together with two screws. The lower section hangs on the wall from its wooden stretcher and the top section fixes onto the wall with vinyl tape (provided).

  • F-Narcissus

    £1,750.00
    Silvia tends to create in series, often in response to her current environment, like a visual diary of circumstances, and inspiration for this series has come from the flowers in an English country garden. This painting is in two sections: the upper section hangs on the wall from its wooden stretcher and the lower section fixes onto the wall with vinyl tape (provided).
  • This sculptural painting stems from Silvia's interest in the relationships between shapes, volumes, colours and textures and their resulting presence. She tends to create in series, often in response to her current environment, like a visual diary of circumstances, and inspiration for this series has come from Silvia's interest in fissures and folds.
  • This sculptural painting stems from Silvia's interest in the relationships between shapes, volumes, colours and textures and their resulting presence. She tends to create in series, often in response to her current environment, like a visual diary of circumstances, and inspiration for this series has come from Silvia's interest in fissures and folds.
  • Fissure I

    £2,500.00

    This work stems from Silvia’s interest in the relationships between shapes, volumes, colours and textures and their resulting presence. She tends to create in series, often in response to her current environment, like a visual diary of circumstances. This sculpture is self-supporting and can be viewed from many angles, ideally on a table or plinth.

  • Fissure III

    £2,500.00

    This work stems from Silvia’s interest in the relationships between shapes, volumes, colours and textures and their resulting presence. She tends to create in series, often in response to her current environment, like a visual diary of circumstances. This sculpture is self-supporting and can be viewed from many angles, ideally on a table or plinth.

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